Year |
Title |
Author |
Venue |
Role |
Director |
1923 |
La
Poudre aux yeux |
Labiche
and Martin |
Oxford
University French Club |
Maître
d'hôtel |
|
1924 |
Love's
Labour's Lost |
William
Shakespeare |
Oxford
University Dramatic Society (OUDS) |
Dull |
|
1924 |
Buy
Degrees |
Emlyn
Williams et al. |
OUDS |
Yvette |
|
1926 |
Henry
IV |
William
Shakespeare |
OUDS |
Silence
and Morton |
|
1926 |
Vigil |
Emlyn
Williams |
Playhouse,
Cambridge OUDS |
Issaiah |
John
Fernald |
1927 |
And
So to Bed |
James
Bernard Fagan |
Savoy
Theatre, London |
Pelling's
Prentice |
James B.
Fagan |
1927 |
Twelfth
Night |
William
Shakespeare |
Playhouse,
OUDS |
Sir
Andrew Aguecheek |
|
1927 |
And
So to Bed |
James
Bernard Fagan |
Shubert
Theatre, Broadway |
Pepys'
boy |
James B.
Fagan |
1928 |
The
Pocket-Money Husband |
John
Gliddon |
Arts
Theatre, London |
Reverend
Yorke, Billy Saunders |
|
1928 |
Glamour |
Emlyn
Williams |
Embassy
Theatre and Court Theatre, London |
Jack |
Charles B.
Williams |
1929 |
Thérèse
Raquin |
Emile
Zola |
J. T.
Grein's French Players, Wyndham's Theatre, London |
Camille |
|
1929 |
Mafro,
Darling! |
Naomi
Royde-Smith |
Queen's
Theatre, London |
Beppo |
|
1929 |
The
Mock Emperor |
Ernest
Milton (adapted from Luigi Pirandello's Enrico IV) |
Queen's
Theatre, London |
Berthold |
|
1929 |
The
Silver Tassie |
Sean
O'Casey |
Apollo
Theatre, London |
The
Trumpeter et al. |
|
1929 |
Tunnel
Trench |
Hubert
Griffith |
Duchess
Theatre, London |
Captain
Sandys |
|
1930 |
French
Leave |
Reginald
Berkeley |
Vaudeville
Theatre, London |
Jules
Marnier |
|
1930 |
Das
Blaue vom Himmel (in
German) |
Hans
Chlumberg |
J. T.
Grein's Cosmopolitan Theatre, Arts Theatre |
Felician
Sonnholz |
|
1930 |
La
Piccola
(in Italian) |
Massimo
Bontempelli |
J. T.
Grein's Cosmopolitan Theatre, Arts Theatre |
Giovanni
d'Amora |
|
1930 |
The
Fire in the Opera House |
Georg
Kaiser |
Everyman
Theatre, Hampstead |
Usher |
|
1930 |
On
the Spot |
Edgar
Wallace |
Wyndham's
Theatre |
Angelo |
|
1930 |
Faust,
Part 2 (in
German) |
Johann
von Goethe |
J. T.
Grein's Cosmopolitan Theatre, Arts Theatre |
Der
Meerkater |
|
1930 |
The
Mouthpiece |
Edgar
Wallace |
Wyndham's
Theatre |
Commissar
Neufeld |
|
1930 |
Devant
la Porte
(in French) |
Henri
Duvernois |
J. T.
Grein's Cosmopolitan Theatre, Arts Theatre |
Adolphe |
|
1931 |
Etienne |
Jacques
Deval, adapted by Gilbert Wakefield |
St.
James Theatre, London |
Etienne |
|
1931 |
The
Case of the Frightened Lady |
Edgar
Wallace |
Wyndham's
Theatre, London |
Lord
Lebanon |
|
1931 |
Port
Said |
Emlyn
Williams |
Wyndham's
Theatre, London |
Youssef
el Tabah |
Emlyn
Williams |
1932 |
The
Man I Killed |
Maurice
Rostand, adapted by Reginald Berkeley |
Apollo
Theatre, London |
Young
Frenchman |
|
1932 |
Man
Overboard |
Sutton
Vane |
Garrick
Theatre, London |
Jack |
|
1932 |
Criminal
at Large (a.k.a.
The
Case of the Frightened LadyAmerican
title) |
Edgar
Wallace |
Belasco
Theatre, 48th Street Theatre, New York |
Lord
Lebanon |
Guthrie
McClintic |
1933 |
Wild
Decembers |
Clemence
Dane |
Apollo
Theatre, London |
Patrick
Branwell Brontë |
|
1934 |
Rose
and Glove |
Hugh
Ross Williamson |
Westminster
Theatre, London |
Piers
Gaveston |
|
1934 |
Josephine |
Hermann
Bahr (adapted by Emlyn Williams) |
His
Majesty's Theatre, London |
Eugene
Beauharnais |
Eugene
Robert |
1935 |
Night
Must Fall |
Emlyn
Williams |
Duchess
Theatre, London |
Dan |
Miles
Malleson |
1936 |
Night
Must Fall |
Emlyn
Williams |
Ethel Barrymore Theatre, New York |
Dan |
Emlyn
Williams |
1937 |
He
Was Born Gay |
Emlyn
Williams |
Queen's
Theatre |
Lambert |
John
Gielgud and Emlyn Williams |
1937 |
Ghosts |
Ibsen |
Old
Vic Theatre Company, Buxton Opera House, Buxton, U.K. |
Oswald |
|
1937 |
Measure
for Measure |
William
Shakespeare |
Old
Vic Theatre Company, London |
Angelo |
|
1937 |
Richard
III |
William
Shakespeare |
Old
Vic Theatre Company, London |
Duke
of Gloucester |
|
1938 |
The
Corn Is Green |
Emlyn
Williams |
Duchess
Theatre |
Morgan
Evans |
Emlyn
Williams |
1940 |
The
Light of Heart |
Emlyn
Williams |
Apollo
Theatre |
Maddoc
Thomas |
Emlyn
Williams |
1941 |
The
Morning Star |
Emlyn
Williams |
Globe
Theatre |
Cliff
Parrilow |
Emlyn
Williams |
1943 |
The
Morning Star |
Emlyn
Williams |
On
tour: English provinces |
Cliff
Parrilow |
|
1943 |
Night
Must Fall |
Emlyn
Williams |
On
tour: English provinces |
Dan |
|
1943 |
Night
Must Fall |
Emlyn
Williams |
ENSA
tour for Overseas Forces |
Dan |
|
1943 |
Pen
Don |
Emlyn
Williams |
Grand
Theatre, Blackpool |
Bran
(Lan) |
Emlyn
Williams |
1944 |
Night
Must Fall |
Emlyn
Williams |
ENSA
tour for Overseas Forces in Middle East, Italy, France, Belgium, Holland |
Dan |
|
1944 |
Blithe
Spirit |
Noël
Coward |
ENSA
tour for Overseas Forces in Middle East, Italy, France, Belgium, Holland |
Charles
Condomine |
|
1944 |
Flare
Path |
Terence
Rattigan |
ENSA
tour for Overseas Forces in Middle East, Italy, France, Belgium, Holland |
Peter
Kyle |
|
1945 |
The
Wind of Heaven |
Emlyn
Williams |
St.
James Theatre, London |
Ambrose
Ellis |
Emlyn
Williams |
1946 |
The
Winslow Boy |
Terence
Rattigan |
Lyric
Theatre, London |
Sir
Robert Morton |
Anthony
Asquith |
1947 |
Trespass |
Emlyn
Williams |
Globe
Theatre, London |
Saviello |
Emlyn
Williams |
1949 |
Montserrat |
Emanuel
Robles, adapted by Lillian Hellman |
Fulton
Theatre, New York |
Izquierdo |
Lillian
Hellman |
1950 |
Accolade |
Emlyn
Williams |
Aldwych
Theatre, London |
Sir
Will Trenting |
Glen
Byam Shaw |
1951 |
No
Hurry, Ifor Davies (part of "Salute to Ivor Novello") |
Emlyn
Williams |
Ivor
Novello Memorial Performance, London Coliseum |
Old
Davies |
|
1951 |
Charles
Dickens (one-man
show) |
Emlyn
Williams/Charles Dickens |
Lyric
Hammersmith Theatre, Criterion Theatre, and Duchess Theatre, London |
Charles
Dickens |
|
1951 |
Emlyn
Williams as Charles Dickens |
Emlyn
Williams/Charles Dickens |
On
tour: U.S., Canada, Europe, South Africa |
Charles
Dickens |
|
1952 |
Charles
Dickens (one-man
show) |
Emlyn
Williams/Charles Dickens |
John
Golden Theatre, New York |
Charles
Dickens |
|
1952 |
Bleak
House (one-man
show) |
Charles
Dickens |
Edinburgh
Festival, Edinburgh, Scotland |
Charles
Dickens |
|
1952-1953 |
Bleak
House (one-man
show) |
Charles
Dickens |
Ambassador's
Theatre, London; Bijou Theatre, New York |
Charles
Dickens |
|
1953 |
Charles
Dickens (Welsh
translation) |
Charles
Dickens |
National
Eisteddfod of Wales |
Charles
Dickens |
|
1953 |
Someone
Waiting |
Emlyn
Williams |
Globe
Theatre, London |
Fenn |
Noel
Willman |
1955 |
A
Boy Growing Up
(one-man show) |
Dylan
Thomas |
Globe
Theatre, London |
Dylan
Thomas |
|
1955 |
The
Wild Duck |
|
Saville
Theatre, Lond |
Hjalmar
Ekdal |
|
1956 |
The
Merchant of Venice |
William
Shakespeare |
Royal
Shakespeare Company, Memorial Theatre, Stratford-upon-Avon |
Shylock |
Margaret
Webster |
1956 |
Othello |
William
Shakespeare |
Royal
Shakespeare Company, Memorial Theatre, Stratford-upon-Avon |
Iago |
Glen
Byam Shaw |
1956 |
Measure
for Measure |
William
Shakespeare |
Royal
Shakespeare Company, Memorial Theatre, Stratford-upon-Avon |
Angelo |
Anthony
Quayle |
1957 |
A
Boy Growing Up
(one-man show) |
Dylan
Thomas |
Longacre
Theatre, New York |
Dylan
Thomas |
|
1958 |
A
Boy Growing Up
(one-man show) |
Dylan
Thomas |
Globe
Theatre, London |
Dylan
Thomas |
|
1958 |
Shadow
of Heroes |
Ardrey |
Piccadilly
Theatre, London |
The
Author |
|
1958 |
Emlyn
Williams as Charles Dickens |
Emlyn
Williams/Charles Dickens |
On
tour: Australia and New Zealand |
Charles
Dickens |
|
1959 |
A
Boy Growing Up
(one-man show) |
Emlyn
Williams/Dylan Thomas |
On
tour: U.S. |
Dylan
Thomas |
|
1961 |
Three:
"Lunch Hour"
"The Forum"
"A Slight Ache" |
Mortimer
Simpson
Pinter |
Arts
Theatre, Criterion Theatre, London |
Man
Mr. Chacterson
Edward |
|
1961 |
Daughter
of Silence |
Morris L.
West |
Music
Box Theatre, New York |
Ascolini |
Vincent J.
Donehue |
1962 |
A
Man for All Seasons |
Robert
Bolt |
American
National Theatre Academy (ANTA) Playhouse, New York |
Sir
Thomas More |
Noel
Willman |
1964 |
The
Deputy |
Rolf
Hochhuth |
Brooks
Atkinson Theatre, New York |
Pope
Pius XII |
Herman
Shumlin |
1965 |
Charles
Dickens (one-man
show) |
Emlyn
Williams/Charles Dickens |
Globe
Theatre, London |
Charles
Dickens |
|
1965 |
Emlyn
Williams as Charles Dickens |
Emlyn
Williams/Charles Dickens |
On
tour: U.S., Canada, Far East |
Charles
Dickens |
|
1965 |
A
Month in the Country |
Turgenev
(adapted by Emlyn Williams) |
Cambridge
Theatre, London |
Ignatyillyich |
|
1969 |
Forty
Years On |
Bennett |
Apollo
Theatre, London |
Headmaster |
|
1970 |
Emlyn
Williams as Charles Dickens |
Emlyn
Williams/Charles Dickens |
On
tour: Australia, U.S.S.R., U.S. |
Charles
Dickens |
|
1975 |
Charles
Dickens (one-man
show) |
Emlyn
Williams/Charles Dickens |
Haymarket
Theatre, London |
Charles
Dickens |
|
1977 |
Saki
(one-man show) |
Emlyn
Williams/Saki |
Apollo
Theatre, London |
Saki |
|
1978 |
Playboy
of the Weekend World (Saki
one-man
showAmerican title) |
Emlyn
Williams/Saki |
Playhouse
Theatre, New York |
Saki |
|
1979 |
A
Boy Growing Up
(one-man show) |
Emlyn
Williams/Dylan Thomas |
Arnaud
Theatre, Guildford, U.K. |
Dylan
Thomas |
|
1980 |
A
Boy Growing Up
(one-man show) |
Emlyn
Williams/Dylan Thomas |
Ambassador's
Theatre, London |
Dylan
Thomas |
|
1981 |
Emlyn
Williams as Charles Dickens |
EmlynWilliams/Charles
Dickens |
Century
Theatre, New York |
Dylan
Thomas |
|